Books with author James Weldon Johnson

First published anonymously in 1912, “The Autobiography of an Ex-Colored Man” is James Weldon’s Johnson fictional account of a young biracial man living in America during the second half of the 19th century and early part of the 20th century. The so-called “Ex-Colored” man makes his living as a jazz pianist playing ragtime music at a popular New York club. It is here that he catches the attention of a wealthy white gentleman who takes a curious interest in him and employs him to play at his parties. While he becomes friends with the man a feeling of subservience reminiscent of slavery prompts him to part ways. He travels to the south where he intends to work on his music in an attempt to glorify the artistry of his race. After witnessing a terribly horrific lynching he abandons his desire to embrace his black heritage opting instead to “pass” as a white man. “The Autobiography of an Ex-Colored Man” masterfully explores the complexity of race relations between whites and blacks in America and the search for racial identity by one of mixed ethnicity. Through the experiences of its unnamed protagonist the issues of class, race, and discrimination are discussed with an openness uncommon to literature of the time, and which would establish it as a pivotal work of the Harlem Renaissance. This edition is printed on premium acid-free paper.

One of the most prominent African-Americans of his time, James Weldon Johnson (1871–1938) was a successful lawyer, educator, social reformer, songwriter, and critic. But it was as a poet and novelist that he achieved lasting fame. Among his most famous works, The Autobiography of an Ex-Colored Man in many ways parallels Johnson's own remarkable life. First published in 1912, the novel relates, through an anonymous narrator, events in the life of an American of mixed ethnicity whose exceptional abilities and ambiguous appearance allow him unusual social mobility — from the rural South to the urban North and eventually to Europe. A radical departure from earlier books by black authors, this pioneering work not only probes the psychological aspects of "passing for white" but also examines the American caste and class system. The human drama is powerful and revealing — from the narrator's persistent battles with personal demons to his firsthand observations of a Southern lynching and the mingling of races in New York's bohemian atmosphere at the turn of the century. Revolutionary for its time, the Autobiography remains both an unrivaled example of black expression and a major contribution to American literature.

One of the most prominent African-Americans of his time, James Weldon Johnson (1871–1938) was a successful lawyer, educator, social reformer, songwriter, and critic. But it was as a poet and novelist that he achieved lasting fame. Among his most famous works, The Autobiography of an Ex-Colored Man in many ways parallels Johnson's own remarkable life. First published in 1912, the novel relates, through an anonymous narrator, events in the life of an American of mixed ethnicity whose exceptional abilities and ambiguous appearance allow him unusual social mobility — from the rural South to the urban North and eventually to Europe. A radical departure from earlier books by black authors, this pioneering work not only probes the psychological aspects of "passing for white" but also examines the American caste and class system. The human drama is powerful and revealing — from the narrator's persistent battles with personal demons to his firsthand observations of a Southern lynching and the mingling of races in New York's bohemian atmosphere at the turn of the century. Revolutionary for its time, the Autobiography remains both an unrivaled example of black expression and a major contribution to American literature.

How is this book unique? Font adjustments & biography included Unabridged (100% Original content) Illustrated About The Autobiography of an Ex-Colored Man by James Weldon Johnson One of the most prominent African-Americans of his time, James Weldon Johnson (1871–1938) was a successful lawyer, educator, social reformer, songwriter, and critic. But it was as a poet and novelist that he achieved lasting fame. Among his most famous works, The Autobiography of an Ex-Colored Man in many ways parallels Johnson's own remarkable life. First published in 1912, the novel relates, through an anonymous narrator, events in the life of an American of mixed ethnicity whose exceptional abilities and ambiguous appearance allow him unusual social mobility — from the rural South to the urban North and eventually to Europe.

"The Autobiography of an Ex-Colored Man" is James Weldon's Johnson fictional account of a light-skinned mulatto who can pass for white. The anonymous narrator is the son of a black mother and a white father living in the early part of the 20th century in the rural south, the urban north and in Europe. The novel masterfully explores the complexity of race relations between whites and blacks in America and the search for racial identity by one of mixed ethnicity.

James Weldon Johnson's emotionally gripping novel is a landmark in black literary history and, more than eighty years after its original anonymous publication, a classic of American fiction. The first fictional memoir ever written by a black, The Autobiography of an Ex-Coloured Man influenced a generation of writers during the Harlem Renaissance and served as eloquent inspiration for Zora Neale Hurston, Ralph Ellison, and Richard Wright. In the 1920s and since, it has also given white readers a startling new perspective on their own culture, revealing to many the double standard of racial identity imposed on black Americans. Narrated by a mulatto man whose light skin allows him to "pass" for white, the novel describes a pilgrimage through America's color lines at the turn of the century--from a black college in Jacksonville to an elite New York nightclub, from the rural South to the white suburbs of the Northeast. This is a powerful, unsentimental examination of race in America, a hymn to the anguish of forging an identity in a nation obsessed with color. And, as Arna Bontemps pointed out decades ago, "the problems of the artist [as presented here] seem as contemporary as if the book had been written this year."

James Weldon Johnson’s career was one of extraordinary range, spanning the worlds of diplomacy (as U.S. consul in Venezuela and Nicaragua), politics (as Secretary of the NAACP), journalism (as founder of one newspaper and longtime editor of another), musical theater (as lyricist for the Broadway songwriting team of Cole and Johnson Brothers), and literature (as novelist, poet, and anthologist). At the dawning of what would become the modern civil rights movement, he forged a record of accomplishment that defied the odds. The Library of America now presents a collection of his writings that displays the many facets of a complex and impassioned writer.The Autobiography of an Ex-Colored Man (1912), Johnson’s first book, is a novel that on its original anonymous publication was taken by many for an actual memoir. A groundbreaking work of modern fiction, it powerfully describes the inner development of a gifted, socially alienated man as he tries to come to terms with the constraints of racism.Along This Way (1933) is Johnson’s genial and enthralling account of his fantastically busy life, with a cast of characters including W.E.B. Du Bois, Paul Robeson, Clarence Darrow, Booker T. Washington, Theodore Roosevelt, Carl Van Vechten, and many others.A selection of shorter prose—editorials from The New York Age, political essays, literary prefaces, an excerpt from the historical study Black Manhattan—confirms the variety of Johnson’s interests, as he comments on figures and topics including Jack Johnson, Marcus Garvey, Woodrow Wilson, lynching, anti-Japanese discrimination in California, American involvement in Haiti, changing trends in theater and poetry, and the significance of spirituals.Johnson’s poetry is represented by the full text of God’s Trombones (1927), his stirring homage to African-American preaching, and shorter works including “O Black and Unknown Bards,” lyrics from Johnson’s Broadway songwriting days, and “Lift Every Voice and Sing,” the hymn often referred to as the “Negro National Anthem.”LIBRARY OF AMERICA is an independent nonprofit cultural organization founded in 1979 to preserve our nation’s literary heritage by publishing, and keeping permanently in print, America’s best and most significant writing. The Library of America series includes more than 300 volumes to date, authoritative editions that average 1,000 pages in length, feature cloth covers, sewn bindings, and ribbon markers, and are printed on premium acid-free paper that will last for centuries.